A
Contributor
Aaron Peck

Aaron Peck is the author of The Bewilderments of Bernard Willis (2008) and Jeff Wall: North & West (2016). His writing has appeared in The New York Review of BooksArtforum andThe White Review, among others.

Aaron Peck reflects on the life of one of contemporary art’s most sympathetic comedians

BY Aaron Peck | 02 NOV 22

From Lydia Ourahmane’s filmic exploration of central Saharan mountains at Fondation Louis Vuitton to P Staff’s ‘Love Life’ at Galerie Sultana

BY Aaron Peck | 18 OCT 22

The first edition of the Parisian festival brings together twenty-seven artists who grapple with technologies of image-making

BY Aaron Peck | 06 APR 22

A recent survey at The Polygon, Vancouver, showcases the painter’s varied practice in photography 

BY Aaron Peck | 26 JAN 22

At Thaddaeus Ropac, Paris, the Austrian artist mines epochs of ancient history to bring painting back to a time before consciousness

BY Aaron Peck | 15 SEP 21

The duo’s installations at Galerie Templon, Paris, couldn’t be timelier

BY Aaron Peck | 06 OCT 20

With a retrospective at Munich’s Museum Brandhorst, McKenzie gleans political ideologies from the polishes and veneers of our world

BY Aaron Peck | 20 AUG 20

The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters

BY Aaron Peck | 28 NOV 19

Witnessing the catastrophic fire of Notre-Dame

BY Aaron Peck | 16 APR 19

For 40 years, the Italian artist’s work has ‘shocked us into new realities’

BY Aaron Peck | 28 MAR 19

‘I found it at my local used bookstore more than a month before its release date, only days after 9/11’

BY Aaron Peck | 24 JAN 19

At Vitry-sur-Seine's MAC VAL, the artist explores architecture's infliction of violence on the colonized and on those who suffer its legacies

BY Aaron Peck | 15 AUG 18

Retrospectives at Musée des Arts Decoratifs and Palais Galliera, Paris showcase the designer's unique ways of relating garment to body

BY Aaron Peck | 03 MAY 18

A rare, newly-published interview with the late October editor, reveals an art critic intent on changing the terms of the debate

BY Aaron Peck | 14 MAR 18