At M Leuven, the artist draws on the allegorical as a means of exposing the absurdity of the current state of affairs

Fernanda Brenner on the artist's uncanny and transgressive films

Fernanda Brenner looks at three activists groups challenging Bolsonaro’s anti-Indigenous government

At SESC Sorocaba, Brazil, the third edition of the Frestas Triennial of Arts respond to the debates around decolonialization that have dominated the discourse in Latin America for the past two decades

The museum's recent acquisitions and display overhaul is a move away from the institution’s elitist past and a celebration of Brazil's rich diversity

In a generous survey at the Museu de Arte de São Paulo, the artist reminds us that, even in times of adversity, art has the power to bring people together

The new co-artistic director of the Museum of Modern Art in Rio de Janeiro discusses her Afro-centred curatorial practice, the importance of translation, and writing as a form of dance

El Museo del Barrio’s Rodrigo Moura tells Fernanda Brenner about his vision of the museum and the themes of this year’s ‘Diálogos’ section 

At Sesc Pompeia, São Paulo, five decades of the artist’s immersive work speak to the brutality and sensuality of American life

The artist’s feast is plentiful and sumptuous, but leaves us with a hefty bill and a heavy stomach

Ahead of her retrospective at London’s Whitechapel Gallery, the artist speaks to contributing editor Fernanda Brenner about the themes of hunger and hybridity in her work

The late artist rejected state censorship while presaging our image-saturated age

The late Brazilian artist’s retrospective at the Museum of Modern Art, Rio de Janeiro, is a delicate exploration of his multi-faceted practice

‘What would Jac Leirner do?’

Latin American artists respond to nationalism, climate change, and other urgent crises

Bolsonaro’s repeated insults towards women, people of colour and the LGBT community, should have been enough to derail his campaign – it wasn’t

From devices for making acquaintances to an interruption of Lina Bo Bardi’s architecture, ahead of SP-Arte this week, the city’s best shows

Museu de Arte de São Paulo (MASP), São Paulo, Brazil

Are the tumultuous events in Brazil threatening to undo all that the country has fought so hard to achieve?