Film

Released in the UK this month, Caitlin Quinlan explores what Todd Field's TÁR (2022) reveals about the abuses of power and the possibilities of accountability 

The former starlet’s return to the screen is just a reminder of how far she has fallen from favour

Ahead of the UK premiere of ‘Triangle of Sadness’, the Swedish director talks to Rory O’Connor about his latest jab at the mega rich

The auteur inverts Hollywood genre tropes in an alien invasion romp that questions what we see and believe

The novelist watches Joanna Hogg’s two recent films and muses on how they convey the lessons learned in creative practices

The director’s return to the body horror genre exposes crimes of the heart

Featuring Emma Stone, Damien Bonnard and a well-trained trip of goats, the Greek director’s silent short frees him from the pressures of the box office

Rory O’Connor watches the filmmaker’s distinctive oeuvre which brings low-budget austerity to the film festival circuit

Caitlin Quinlan speaks to director Joachim Trier about coming of age and how to capture the spirit of a city

In Does Your House Have Lions (2021), the filmmaking duo explore the meaning of friendship, community and freedom against a backdrop of inequality and state violence

Artists Matt Peterson and Malek Rasamny on their multimedia project, which investigates the parallels between North American Indigenous reservations and Palestinian refugee camps

In Parallel Mothers (2021), the director delves further into the difficulties of Spain's political past

25 years after its premiere, Wong’s film about being unable to escape the present strikes a new relevance 

Gessica Généus’s feature film debut tells a touching story about a young woman’s struggle to find hope in a country full of despair and violence

Matt Lloyd Turner reviews IFFR’s Tiger Shorts Competition – programming focused on collectivity – to see what changes when viewed on a computer screen

As Memoria opens across the UK, the acclaimed Thai director talks to Rory O’Connor about casting Tilda Swinton and the power of the big screen

From the red/blue pill symbolism to the trans allegory, McKenzie Wark muses on the real-life narratives surrounding the simulated world of The Matrix

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

Sasha Frere-Jones pens a letter to Todd Haynes, the director of the new documentary, which charts the band’s illustrious career

The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality