Guts Gallery founder Ellie Pennick employs an equitable business model to empower the next generation of artists

Philomena Epps traces the transgressive histories of erotic art made by female artists during the sexual revolution 

In London, shows by Bruce Nauman, Klara Lidén and Helen Cammock reflect on the pleasures and politics of idleness

‘Fantastic Women’, currently on view at Louisiana Museum of Modern Art, Humlebaek, is one of many recent shows revising the art-historical canon

An artist who made a mockery of wealth and class pretensions is revivified as a prophet of possibility in a corrupted world

From her kitchen table in Canterbury, the Australian curator quietly reinvented the exhibition format

In two shows at Goldsmiths CCA and Hales Gallery, London, Nilsson furthers her life-long alchemization of objects and limbs 

An event at Somerset House to launch Ignota Press’ first book, the anthology: Spells: 21st-Century Occult Poetry

At Amanda Wilkinson Gallery, London, two series of work from the 1970s show the late artist’s playful, powerful intertwining of text and image

Exploring the legacy of the radical 1960s London gallery in a group show curated by kurimanzutto, Mexico City, at Thomas Dane, London

Rediscovering Jo Bondy through her assemblages, box works, and ceramics from the 1960s to 1970s

Alfredo Jaar’s show at Yorkshire Sculpture Park, Wakefield, forces truth and images to confront each other

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

Kiasma Museum of Contemporary Art, Helsinki, Finland