Laura Poitras’s documentary All the Beauty and the Bloodshed – released in the US this week – explores the artist’s defiance against injustice and erasure

Sam Moore profiles the shape-shifting gallery space in London that has become an imaginarium for ambitious early-career artists

At New Art Projects, London, the artist evokes visceral experiences of growing up queer in Britain under Section 28

Sam Moore selects their top picks – from William Brickel’s contorted bodies at The Artist Room to Garrett Pruter’s reimagining of Alfred Hitchcock’s ‘The Birds’ at Trafalgar Avenue 

Two major exhibitions at Kunstmuseum Basel and Hayward Gallery unravel the artist’s vulnerabilities through text, textile and the human figure

Sam Moore looks at how the artist became yet another victim of Costume Institute Benefit’s appropriation problem

The artist’s solo show at London’s Ginny on Frederick creates a complex confrontation with fragmented, sexualized humanity

The performer’s recently reissued autobiography, Man Enough to Be a Woman, offers an unapologetic blueprint for gender non-conformity