Travis Diehl

A look into Del Vaz Projects and its founder, also curator of ‘Against the Edge’ for Frieze Projects

The artist’s new show at King’s Leap, New York, uses ‘TIME’ magazine to unpack recent historical narratives

From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows

At the Queens Museum, New York, a survey of the artist’s career showcases her feminist genre of social practice

A group show curated by Sylvie Fortin at the Bemis Center for Contemporary Arts, Omaha, delves into the politics of social health

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

At the Institute of Contemporary Art, Miami, the artist presents a suite of new works that confronts the notion of 'white angst' in western iconography

Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write

At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations

The artist on her proposed New Monument for Franska Tomten and how minimalist aesthetics speak to the complex history of Sweden’s colonial past

The artist’s first feature film depicts a mother-daughter pair of grifters trying to stay afloat through financial recession 

Conceptual artist Patrick Jackson presents a series of photographs and glass shelves that riff on modernism and minimalism

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

There is a place for evidentiary art – but not for Kenneth Goldsmith’s print-out of 62,000 pages of the former US Secretary of State’s correspondence

Though it tactfully sidesteps the real politics of housing, ‘Landlord Colors’ offers an alternative model to the ‘development biennial’ 

In her solo show at CCA Wattis, San Francisco, the artist invokes sports awards to critique our obsession with victory

A series of sculptures shown at Jenny’s, Los Angeles, challenge traditional categories of art 

An exhibition at House of Gaga / Reena Spaulings Fine Art, Los Angeles shows cyborgian sculptures that are combos of mechanics and organic matter